For Now
40 x 30 in.
Acrylic on Canvas
I came across the photo that inspired this piece and was instantly drawn to it. I don’t usually paint imagery that feels connected to death or darkness, but this didn’t carry that kind of weight. There was something tender about it—two skeletons holding one another, stripped of everything but connection.
The entire piece is painted in green. That decision was intuitive, not planned, and it gave the work an unexpected energy—more about presence than absence. This painting challenges what we associate with loss and instead invites a conversation about closeness, timelessness, and the bond that remains when everything else is gone.
40 x 30 in.
Acrylic on Canvas
I came across the photo that inspired this piece and was instantly drawn to it. I don’t usually paint imagery that feels connected to death or darkness, but this didn’t carry that kind of weight. There was something tender about it—two skeletons holding one another, stripped of everything but connection.
The entire piece is painted in green. That decision was intuitive, not planned, and it gave the work an unexpected energy—more about presence than absence. This painting challenges what we associate with loss and instead invites a conversation about closeness, timelessness, and the bond that remains when everything else is gone.
40 x 30 in.
Acrylic on Canvas
I came across the photo that inspired this piece and was instantly drawn to it. I don’t usually paint imagery that feels connected to death or darkness, but this didn’t carry that kind of weight. There was something tender about it—two skeletons holding one another, stripped of everything but connection.
The entire piece is painted in green. That decision was intuitive, not planned, and it gave the work an unexpected energy—more about presence than absence. This painting challenges what we associate with loss and instead invites a conversation about closeness, timelessness, and the bond that remains when everything else is gone.